Like most old punk bands, reformed and trying to relive their youth; The Undertones sound pretty much the same as you remember them, except a little older, a little wiser and a whole lot less exciting.

Back in business, but without original lead singer Fergal Sharkey, The Undertones circa 2007 are a solid rock n roll outfit, if a little derivative sounding and by-the-numbers.

New album, DIG YOURSELF DEEP is a creditable return to the bands pop punk roots, the band obviously missing those distinctive Fergal Sharkey vocals that you immediately associate with them, replacement Paul McLooney, a much more derivative sounding presence that ultimately lacks the original spark and spirit of The Undertones.  Opener and title track DIG YOURSELF DEEP is a passable attempt at a spirited punk pop nugget, a two minute blast of catchy melodies and buzzsaw guitar manoeuvres that proves that if nothing else, they can still conjure up this kind of infectious punk pop like the best of them.  Its the slinky likes of FIGHT MY CORNER though that suggests a more interesting side to the comeback story, a charged collision between the Small Faces and Television that implies that The Undertones could still well be capable of more intriguing things besides all the by-the-numbers pop punk shenanigans.  WE ALL TALKED ABOUT YOU is another of the records more interesting moments, a kind of head on collision between The Monkeys and The Buzzcocks, proof that whilst The Undertones may have lost a little of that original spark and spirit, they can still bang out a catchy tune or two.

Elsewhere, things tend to veer more towards the forgettable and strictly derivative though, songs like HERE COMES THE RAIN, HIM NOT ME and TOMORROW'S TEARS will hardly trouble your thoughts moments after they've come to an end.

DIG YOURSELF DEEP is a perfectly decent comeback from The Undertones, sure the band may lack that early spark and spirit, but as a collection of creditable pop punk songs, this is an album that certainly gets the job done.

The Undertones emerged from Derry in Northern Ireland in the whole punk, ‘mew wave’ boom of 1977-1978. They had actually formed in 1975. The time-honoured five mates who played cover versions in youth clubs. The line up featured the O’Neill brothers – John and Damian on guitars, Michael Bradley on bass, Billy Doherty on drums, and on vocals Feargal Sharkey.

Like countless others, punk rock fired their imagination, and gave shape and direction to their material. A love of Garage bands as heard on the seminal Lenny Kaye compilation ‘Nuggets’ helped formulate their predilection for songs with strong chorus hooks, keeping songs short, economical and dynamic.

It wasn’t until 1978 that their pop fizz bombs were finally preserved on vinyl, with the classic debut single ‘Teenage Kicks’, released originally on the Good Vibrations label. The song so enamoured influential Radio One deejay John Peel that he announced it to be his ‘favourite record of all time’, and played the single incessantly. "Teenage Kicks" has subsequently come to be considered one of the best rock songs of all time.

The Undertones shared a musical commonality with The Ramones in the USA and The Buzzcocks in England, wherein their songs were distilled to an addictive core, but still finding time for lyrical invention and musical flair.

Signing to The Ramones label, Sire, the bands eponymous debut album and its follow-up, ‘Hypnotised’, showed that ‘Teenage Kicks’ was no mere fluke. On ‘Hypnotised’, the band even spoofed label mates Talking Heads second album, ‘More Songs About Buildings and Food’ with the song ‘More Songs about Chocolate and Girls’, showing that there was a knowing wit at work amongst the addictive choruses and chunky riffing. The band earned a reputation as a ‘singles’ act par excellence, with cracking 45s such as ‘Here Comes The Summer’, ‘You’ve Got My Number (Why Don’t You Use It)’, and ‘My Perfect Cousin’.

Subsequent albums, such as ‘Positive Touch’ and ‘The Sin of Pride’ showed a band with an increasing mastery of studio technique, and a greater feel for song arrangement and structure. Sadly, internal tensions within the band reached breaking point, with the result, that singer Feargal Sharkey departed, to pursue a solo career, and the O’Neill brothers formed the highly regarded and popular That Petrol Emotion.

However, in 1999, The Undertones reconvened to play some shows in Derry, without Sharkey, his role being taken by Paul McLoone whose electric onstage presence more than make's up for Sharkey’s absence. It was like the band never split; they were rapturously received. The old classics were as fresh and their live performances as exhilarating as in 1979 with the new songs receiving a positive reaction from audiences and critics alike.

They are now playing selective shows around the globe, attracting old fans, and many younger fans intrigued to have an opportunity to see one of the major influences on the new wave of pop/punk bands such as Sum41, The Hives and Green Day etc. As well as performing live the Undertones have also recorded and released an album of new material, "GET WHAT YOU NEED" plus a "BEST OF", both albums were released in the autumn of 2003 and received unanimous critical acclaim.

The Undertones>http://www.theundertones.com/