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Album review
SIGUR ROS - TAKK
"Whether another song this year can match the startling brilliance
of the opening track on Sigur Ros's latest album, TAKK
is up for debate and discussion - as things stand so far, its hard
to imagine hearing anything more breathtaking, beautiful, powerful
and sublime as GLOSOLI. "
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Sigur Ros are a band making
music that sounds monumental, creating sounds that are truly
epic and far reaching, songs that take you places and give
you experiences, make you laugh make you cry. This is a band
that sing in their own made up language called hopelandish,
Jon Por Birgisson possessing the kind of voice to melt glaciers
and launch fireworks - it doesn't matter that you don't understand
the words he's using, its all in the emotion of his voice
and those high pitched climaxes, a stunning combination of
Bjork and Thom Yorke.
Whether another song this year can match the startling brilliance
of the opening track on Sigur Ros's latest album, TAKK
is up for debate and discussion - as things stand so far,
its hard to imagine hearing anything more breathtaking, beautiful,
powerful and sublime as GLOSOLI. When those
guitars come crashing in at the end and the whole thing lifts
to another level, its with heartwrenching intensity and seismic
impact, epic and colossal in ways bands like U2 or Coldplay
can only dream about in their wildest imaginations.
Its been widely reported that TAKK is Sigur
Ros's attempt at a pop album, and while HOPPIPOLLA
may well suggest a certain conventionality in its piano laden
melodies, this is pop music a million miles away from your
standard ideas of that genre.
This is pop in a manner similar to Keane playing backwards
in an aircraft hanger, hung upside down and surrounded by
angels every note being blessed by a higher celestial being.
SAEGLOPUR is another song informed by gentle
piano work and chiming melodies, though this time benefiting
in a bombastic shift halfway through where shimmering guitar
lines hang in the air and render you speechless and awe inspired.
Bearing certain similarities to recent Radiohead recordings,
GONG skips along on flittering drum beats
and feather light guitar riffs and is perhaps the closest
Sigur Ros have come to writing a conventional pop song, hitting
defined and structured choruses with a regularity that almost
comes as a shock when heard for the first time.
The atmospheric moodiness of ANDVARI is as
heartbreaking and gorgeous as anything they've previously
done, lilting orchestral swells bolstering up the emotion
and suspense throughout whilst the stark skeletal SUSHLJOTT
recalls a dark nursery rhyme being recounted by aliens.
Closing with the subdued majesty of HEYSATON,
Sigur Ros manage to wring more celestial brilliance from an
album that stuns from start to finish. Not a record to take
lightly, TAKK is an emotional and heartwrenching
experience at times - a series of songs that take you on journeys
and toy with your emotions like playthings. Dark in places,
blindingly bright in others TAKK offers you
a musical experience that few other bands can even attempt,
presenting Sigur Ros as a band as startling and majestic as
they are original and awe inspiring. TAKK
is an album to savour and cherish.
Formed by original members Jon Por Birgisson and Georg Holm
in 1994, Sigur Ros where joined by Orri Pall Dyrason and Kjartan
Sveinsson for the recording of their album AGAETIS BYRJUN.
Hailing from Iceland, Sigur Ros formed with the idea of exploring
the beautiful landscape of their homeland through their music.
A unique sounding band, they draw from elements of ambient
and experimental music to create their sound, using effects-laden
guitars and orchestral soundscapes.
Jon Por Bigisson is an original and unique vocalist, singing
in a high pitched falsetto somewhere between Bjork and Thom
Yorke and using the bands own made up language called Hopelandish.
Following their debut album VON which was released in Iceland
only, Sigur Ros released AGAETIS BYRJUN to a stunned and startled
world in 2002. Going on to be critically acclaimed and adored
first in the UK and then the USA, the album marked the start
of a huge cult following for the band. Songs like SVEFN-N-ENGLAR
and NY BATTERI were released as singles and the band were
courted by major record labels desperate to sign them up.
Signing with MCA Records, the band toured North America and
became the coolest name to drop amongst huge Hollywood celebrities
like Tom Cruise and Brad Pitt.
The third album () was released in 2002 and continued to garner
the band critical praise and word of mouth sales, going on
to sell over a million copies worldwide. MTV awards followed
for their groundbreaking music videos and the band continued
to sell out world tours during the next couple of years. Working
with Radiohead to write the music to a Merce Cunningham modern
dance piece, the band continued to write and record. Releasing
their third album, TAKK in 2005, Sigur Ros made their most
accessible record to date gaining them more critical acclaim
worldwide.
MIKE BOND_UKMUSICSEARCH 2005
::
Line Up :: Discography :: Merchandise :: Further Listening
:: Web Links ::
| Jon Por Birgisson>vocals/guitar Georg Holm>bass Orri Pall Dyrason>drums Kjartan Sveinsson>Keyboards
VON BRIGOI / RECYCLE BIN (1998>Smekkleysa)
SVEFN-G-ENGLAR EP (1999>Fat Cat) AGAETIS BYRJUN (1999>Fat Cat) NY BATTERI (2000>Fat Cat) ENGLAR ALHEIMSINS - ANGELS OF THE UNIVERSE SOUNDTRACK
(2000>Krunk) RIMUR EP (2001>Krunk/PIAS) ()(2002>Fat Cat) HLEMMUR EP (2003>Krunk) EP (2003>Fat Cat) BA BA TI KI DI DO (2004>Geffen) TAKK (2005)
NOVEMBER Review date: October 2005
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