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Album review
ctrlaltdelete - MONDEGREENS
"Anyone having heard Mogwai's debut album will know exactly
what to expect here, lengthy instrumental songs with skittery beats
that sound like spiders dancing on the drum skins and liquid guitar
work that veers between angular riffing, gently struck chords and
walls of glorious white noise. "
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Control |
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A band sending substantial
ripples out over the current post-rock landscape, ctrlaltdelete
may not be messing with a formula thats already thrown up
such great names as Mogwai, Explosions In The Sky and Gossiped!
You Black Emperor! - but they're carrying on the tradition
with masterful grace.
Anyone having heard Mogwai's debut album will know exactly
what to expect here, lengthy instrumental songs with skittery
beats that sound like spiders dancing on the drum skins and
liquid guitar work that veers between angular riffing, gently
struck chords and walls of glorious white noise. EACH
OF THESE INNOCENTS ON THE STREET IS ENGULFED BY A TERROR OF
THEIR OWN ORDINARINESS, is the kind of atmospheric
mood piece to soundtrack your life - a melodic bass line underpinning
the intricate guitar work and shifting drum patterns. Not
something to tear up the post-rock rulebook by any means,
but when that rulebook is so special, why bother?
ALL OUR MEMORIES ARE IN SEPIA is one of those
gradually building songs, that keeps upping the tension and
the noise - culminating in precision timed explosions of distortion.
PATTER, CHANCE AND MENACE, takes less time
to erupt - hitting its explosive peaks early on, before settling
back down into quietly complex interwoven riffs, then erupting
yet again.
YOUR AGGRESSION, MY VENTURE
finds ctrlaltdelete taking things to the next level - amping
up the heaviosity and keeping a forward momentum going that
lends the band urgency and pace. It may see them lose some
of their complexity and texture, but its a shift that sets
them apart as a band with a few of their own ideas to throw
into the mix.
Moody, atmospheric and intricate - ctrlaltdelete create sublime
post-rock instrumentals that give you the shivers. They may
deal in a well documented formula of constantly shifting dynamics,
but they pull it off with such aplomb that its hard to argue.
Essentially, the sound of Mogwai's debut LP fast forwarded
ten years and slightly updated - this is still an EP of the
kind of glorious sounding melancholy that leaves you awed
and dumb struck.
ctrlaltdelete make big music. Epic, even. Not 'epic' in the
way stadium acts write bland, vacuous songs for the cigarette-lighter
brigade but in a way a glacier falling into the ocean is epic.
Immense, awe-inspiring and a sign that a tidal wave is likely
to strike at any moment. ctrlaltdelete - yeah, you know. Press
those buttons for a new start, a reboot, an end to what's
there. Get rid of conventions, pre-conceptions and cliches.
Click into gear with a new perspective. If everything's slown
down and not functioning correctly, this is a call to action,
to arms, to make a change.
Who says they can't do this? When ctrlaltdelete are on stage
and they shift up a gear, and a stranger's sweat flies into
your mouth - but it's OK, you're in the moment, alone in a
crowd of fellow believers - then nothing else matters. Stick
the EP on your headphones in a crowd and suddenly everybody's
a potential ally, someone who can be let in to your secret
.
Crank up the volume on the tube or bus-ride home and tap into
something that can't be described, only shared. Stick it on
in the car and the journey will be over in a flash, even if
you haven't moved anywhere in the last half-hour.
It's dynamic. It's emotive. It doesn't need lyrics for you
to know what they mean, what they stand for, who they are.
Wait for the heart-stopping break in YOUR AGGRESSION, MY VENTURE
to be borne aloft by the power of music. That is, if it hasn't
touched you before.
This music doesn't happen overnight though. Ben Maxwell (guitar)
and Laura Harrison (bass) formed the band at university in
2001, with original drummer Chris Hewitt completing the line
up.
Much songwriting and experimentation followed, confined to
the band's rehearsal space, with many ideas scrapped, other
songs constantly revised until their first demo saw the light
of day in late 2002.
It was to be another six months before ctrlaltdelete played
a gig, and from there the band have continued to gain momentum.
There have been many more gigs, where new fans are always
won by the end of a set, magazine and radio features, exhibitions,
label interest and more demos, which have led to two self-released
EPs - epONE and MONDEGREENS.
Chris has left, replaced by Simon Papaleo who gives the trio
a stronger rhythmic backbone, and greater confidence to try
new ideas in the future. Recording this new EP was one of
Simon's first experiences after joining the band, but already
the band sound more assured. Carefully timed explosions are
triggered along the way, the band shifts up a notch, and then
rather than settling on a plateau, they push again. With melodic
hooks that will stick in your brain, a powerfully dynamic
sound and a compelling live presence, ctrlaltdelete demand
nothing more than your total surrender to the music. Give
in.
::
Line Up :: Discography :: Merchandise :: Further Listening
:: Web Links ::
| Ben Maxwell>guitar Laura Harrison>bass Simon Papaleo>drums
MONDEGREENS (2005>Motivesounds Recordings)
LINKS
Review date: October 2005
|
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