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Album review
AUTUMNDIVERS - AUTUMNDIVERS
"The stuttering beats of DISAPPEARING ACT
may form the backbone, but its the shimmering guitar work that really
stands out - a delay heavy attack that equals U2s The Edge at his
best, while Gregory Paul sings in a style not a million miles away
from New Orders' Bernard Sumner, all in all a winning combination."
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Intro / Turnaround / Amend / I Still Feel / Place To Call Your Own / Disappearing Act / Walkaway / Inasmuch / Dopamine Lost / Get Me Out / Sisyphus / Last / Star Crossed ONLINEROCK RECORDS RELEASED>August 1st 2005 Despite its opening squall of avant garde jazz meandering and space rock experimentalism, Autumndivers second album is a much more focused and structured affair than you may expect. As the polite indie rock of TURNAROUND attests to, this is a band that blend jangly guitar loveliness with laid back vocals in a hazy groove that's equal parts Coldplay, Spiritualized and Joy Zipper. The dub-reggae influence that run through AMEND may be slight, but it's one of those little touches that lifts a song from the average to the more interesting and far reaching. With it's deep burrowing bassline and gentle guitar stabs, Autumndivers weave something sublime and magical with Gregory Paul evoking pure emotion through his vocals. I STILL FEEL finds the band settling into more traditional territory, hitting the sweeping choruses with military precision and generally coming on like a looser version of Coldplay while the acoustic based PLACE TO CALL YOUR HOME sees things reaching an emotional high, a heartbroken slice of introspection that'll soundtrack a thousand broken hearts. The
stuttering beats of DISAPPEARING ACT may
form the backbone, but its the shimmering guitar work that
really stands out - a delay heavy attack that equals U2s The
Edge at his best, while Gregory Paul sings in a style not
a million miles away from New Orders' Bernard Sumner, all
in all a winning combination. WALKAWAY repeats
the same tricks, although healthy doses of rising guitar crescendos
and hypnotic vocals ensure things never feel stagnant or predictable,
something the atmospheric INASMUCH also avoids deftly. Chiming
guitar work bleeds over a skeletal drumbeat in much the same
direction as Radiohead have been heading over their last couple
of albums, and like Radiohead this is a sublime collision
of the strange and the beautiful, the vocals soaring in all
the right places while also knowing when to keep things restrained
and under control.
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Line Up :: Discography :: Merchandise :: Further Listening
:: Web Links :: |
| Gregory Paul>vocals/guitar/electronics Tony Wensel>bass Aaron Boucher>drums
LINKS Review date: August 2005
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